Jon Stewart
watches Lawrence of Arabia in all its splendour.
Jennifer Garner
Brad Bird
wins for Ratatouille.
Harrison Ford applauds...
... Cate Blanchett.
Best
Supporting Actor: Javier Bardem (No Country For Old Men)
Best
Supporting Actress: Tilda Swinton
Best Adapted
Screenplay: Joel and Ethan Cohen (No Country For Old Men)
Best Actress:
Marion Cotillard
Glen
Hansard and Marketa Irglova perform Falling Slowly.
Bill Conti
Nicole Kidman
presents an Honorary Award to Robert Boyle.
Viggo
Mortensen and Laura Linney
Stefan
Ruzowitzky, director of The Counterfeiters
Glen
Hansard and Marketa Irglova win for Falling Slowly.
Jon Stewart allowed
Marketa Irglova to return to the stage to make her speech.
Cameron Diaz
Best Cinematography: Robert Elswit (There Will Be Blood)
Hillary Swank
MUSIC
(Original Score)
* Atonement -- Dario Marianelli
The Kite Runner -- Alberto Iglesias
Michael Clayton -- James Newton Howard
Ratatouille -- Michael Giacchino
3:10 to Yuma -- Marco Beltrami
Best
Original Score: Dario Marianelli (Atonement)
Tom Hanks
Harrison
Ford presents the award for Best Original Screenplay...
...to
Diablo Cody (Juno).
Helen Mirren
Best Actor: Daniel
Day-Lewis (There Will Be Blood)
Martin
Scorsese
Directing
Award: Joel and Ethan Cohen (No Country For Old Men)
Denzel
Washington
Best Picture:
No Country For Old Men
BEST PICTURE
Atonement -- Tim Bevan, Eric Fellner and Paul Webster, Producers
Juno -- Lianne Halfon, Mason Novick and Russell Smith, Producers
Michael Clayton -- Sydney Pollack, Jennifer Fox and Kerry Orent, Producers
* No Country for Old Men -- Scott Rudin, Ethan Coen and Joel Coen, Producers
There Will Be Blood -- JoAnne Sellar, Paul Thomas Anderson and Daniel Lupi, Producers
DIRECTING
The Diving Bell and the Butterfly -- Julian Schnabel
Juno -- Jason Reitman
Michael Clayton -- Tony Gilroy
* No Country for Old Men -- Joel Coen and Ethan Coen
There Will Be Blood -- Paul Thomas Anderson
ACTRESS IN A LEADING ROLE
Cate Blanchett -- Elizabeth: The Golden Age {"Queen Elizabeth I"}
Julie Christie -- Away from Her {"Fiona"}
* Marion Cotillard -- La Vie en Rose {"Edith Piaf"}
Laura Linney -- The Savages {"Wendy Savage"}
Ellen Page -- Juno {"Juno MacGuff"}
ACTRESS IN A SUPPORTING ROLE
Cate Blanchett -- I'm Not There {"Jude"}
Ruby Dee -- American Gangster {"Mama Lucas"}
Saoirse Ronan -- Atonement {"Briony Tallis, aged 13"}
Amy Ryan -- Gone Baby Gone {"Helene McCready"}
* Tilda Swinton -- Michael Clayton {"Karen Crowder"}
ACTOR IN A LEADING
ROLE
George Clooney -- Michael Clayton {"Michael Clayton"}
* Daniel Day-Lewis -- There Will Be Blood {"Daniel Plainview"}
Johnny Depp -- Sweeney Todd The Demon Barber of Fleet Street {"Sweeney Todd"}
Tommy Lee Jones -- In the Valley of Elah {"Hank Deerfield"}
Viggo Mortensen -- Eastern Promises {"Nikolai"}
ACTOR IN A SUPPORTING ROLE
Casey Affleck -- The Assassination of Jesse James by the Coward Robert Ford {"Robert
Ford"}
* Javier Bardem -- No Country for Old Men {"Anton Chigurh"}
Philip Seymour Hoffman -- Charlie Wilson's War {"Gust Avrakotos"}
Hal Holbrook -- Into the Wild {"Ron Franz"}
Tom Wilkinson -- Michael Clayton {"Arthur Edens"}
ANIMATED FEATURE FILM
Persepolis -- Marjane Satrapi and Vincent Paronnaud
* Ratatouille -- Brad Bird
Surf's Up -- Ash Brannon and Chris Buck
ART DIRECTION
American Gangster -- Art Direction: Arthur Max; Set Decoration: Beth A. Rubino
Atonement -- Art Direction: Sarah Greenwood; Set Decoration: Katie Spencer
The Golden Compass -- Art Direction: Dennis Gassner; Set Decoration: Anna Pinnock
* Sweeney Todd The Demon Barber of Fleet Street -- Art Direction: Dante Ferretti; Set
Decoration: Francesca Lo Schiavo
There Will Be Blood -- Art Direction: Jack Fisk; Set Decoration: Jim Erickson
CINEMATOGRAPHY
The Assassination of Jesse James by the Coward Robert Ford -- Roger Deakins
Atonement -- Seamus McGarvey
The Diving Bell and the Butterfly -- Janusz Kaminski
No Country for Old Men -- Roger Deakins
* There Will Be Blood -- Robert Elswit
COSTUME DESIGN
Across the Universe -- Albert Wolsky
Atonement -- Jacqueline Durran
* Elizabeth: The Golden Age -- Alexandra Byrne
La Vie en Rose -- Marit Allen
Sweeney Todd The Demon Barber of Fleet Street -- Colleen Atwood
DOCUMENTARY (Feature)
No End in Sight -- Charles Ferguson and Audrey Marrs
Operation Homecoming: Writing the Wartime Experience -- Richard E. Robbins
Sicko -- Michael Moore and Meghan O'Hara
* Taxi to the Dark Side -- Alex Gibney and Eva Orner
War/Dance -- Andrea Nix Fine and Sean Fine
DOCUMENTARY (Short Subject)
* Freeheld -- Cynthia Wade and Vanessa Roth
La Corona (The Crown) -- Amanda Micheli and Isabel Vega
Salim Baba -- Tim Sternberg and Francisco Bello
Sari's Mother -- James Longley
FILM EDITING
* The Bourne Ultimatum -- Christopher Rouse
The Diving Bell and the Butterfly -- Juliette Welfling
Into the Wild -- Jay Cassidy
No Country for Old Men -- Roderick Jaynes
There Will Be Blood -- Dylan Tichenor
FOREIGN LANGUAGE FILM
Beaufort -- Israel
* The Counterfeiters -- Austria
Katyn -- Poland
Mongol -- Kazakhstan
12 -- Russia
MAKEUP
* La Vie en Rose -- Didier Lavergne and Jan Archibald
Norbit -- Rick Baker and Kazuhiro Tsuji
Pirates of the Caribbean: At World's End -- Ve Neill and Martin Samuel
MUSIC (Original Score)
* Atonement -- Dario Marianelli
The Kite Runner -- Alberto Iglesias
Michael Clayton -- James Newton Howard
Ratatouille -- Michael Giacchino
3:10 to Yuma -- Marco Beltrami
MUSIC (Original Song)
* "Falling Slowly" from Once -- Music and Lyric by Glen Hansard and Marketa
Irglova
"Happy Working Song" from Enchanted -- Music by Alan Menken; Lyric by Stephen
Schwartz
"Raise It Up" from August Rush -- Music and Lyric by Jamal Joseph, Charles Mack
and Tevin Thomas
"So Close" from Enchanted -- Music by Alan Menken; Lyric by Stephen Schwartz
"That's How You Know" from Enchanted -- Music by Alan Menken; Lyric by Stephen
Schwartz
SHORT FILM (Animated)
I Met the Walrus -- Josh Raskin
Madame Tutli-Putli -- Chris Lavis and Maciek Szczerbowski
Même les Pigeons Vont au Paradis (Even Pigeons Go to Heaven) -- Samuel Tourneux and Simon
Vanesse
My Love (Moya Lyubov) -- Alexander Petrov
* Peter & the Wolf -- Suzie Templeton and Hugh Welchman
SHORT FILM (Live Action)
At Night -- Christian E. Christiansen and Louise Vesth
Il Supplente (The Substitute) -- Andrea Jublin
* Le Mozart des Pickpockets (The Mozart of Pickpockets) -- Philippe Pollet-Villard
Tanghi Argentini -- Guido Thys and Anja Daelemans
The Tonto Woman -- Daniel Barber and Matthew Brown
SOUND EDITING
* The Bourne Ultimatum -- Karen Baker Landers and Per Hallberg
No Country for Old Men -- Skip Lievsay
Ratatouille -- Randy Thom and Michael Silvers
There Will Be Blood -- Christopher Scarabosio and Matthew Wood
Transformers -- Ethan Van der Ryn and Mike Hopkins
SOUND MIXING
* The Bourne Ultimatum -- Scott Millan, David Parker and Kirk Francis
No Country for Old Men -- Skip Lievsay, Craig Berkey, Greg Orloff and Peter Kurland
Ratatouille -- Randy Thom, Michael Semanick and Doc Kane
3:10 to Yuma -- Paul Massey, David Giammarco and Jim Stuebe
Transformers -- Kevin O'Connell, Greg P. Russell and Peter J. Devlin
VISUAL EFFECTS
* The Golden Compass -- Michael Fink, Bill Westenhofer, Ben Morris and Trevor Wood
Pirates of the Caribbean: At World's End -- John Knoll, Hal Hickel, Charles Gibson and
John Frazier
Transformers -- Scott Farrar, Scott Benza, Russell Earl and John Frazier
WRITING (Adapted Screenplay)
Atonement -- Screenplay by Christopher Hampton
Away from Her -- Written by Sarah Polley
The Diving Bell and the Butterfly -- Screenplay by Ronald Harwood
* No Country for Old Men -- Written for the screen by Joel Coen & Ethan Coen
There Will Be Blood -- Written for the Screen by Paul Thomas Anderson
WRITING (Original Screenplay)
* Juno -- Written by Diablo Cody
Lars and the Real Girl -- Written by Nancy Oliver
Michael Clayton -- Written by Tony Gilroy
Ratatouille -- Screenplay by Brad Bird; Story by Jan Pinkava, Jim Capobianco, Brad Bird
The Savages -- Written by Tamara Jenkins
HONORARY AWARD
* To Robert Boyle in recognition of one of cinema's great careers in art direction.
GORDON E. SAWYER AWARD
* David A. Grafton
SCIENTIFIC AND TECHNICAL AWARD (Academy Award of Merit)
* To the EASTMAN KODAK COMPANY for the development of photographic emulsion technologies
incorporated into the Kodak Vision2 family of color negative films. These new technologies
are breakthroughs in film speed, grain and sharpness that have made a significant impact
on the motion picture industry. The Vision2 family allows wider use of high-speed color
negative film, lower light levels on set and faster set-ups. Most importantly, Vision2
improves the overall picture quality in theatrical presentation. [Laboratory]
SCIENTIFIC AND TECHNICAL AWARD (Scientific and Engineering Award)
* To DR. DOUG ROBLE, NAFEES BIN ZAFAR and RYO SAKAGUCHI for the development of the fluid
simulation system at Digital Domain. This influential and flexible production-proven
system incorporates innovative algorithms and refined adaptations of published methods to
achieve large-scale water effects. [Digital Imaging Technology]
* To NICK RASMUSSEN, RON FEDKIW and FRANK LOSASSO PETTERSON for the development of the
Industrial Light & Magic fluid simulation system. This production-proven simulation
system achieves large-scale water effects within ILM’s Zeno framework. It includes
integrating particle level sets, parallel computation, and tools that enable the artistic
direction of the results. [Digital Imaging Technology]
SCIENTIFIC AND TECHNICAL AWARD (Technical Achievement Award)
* To CHRISTIEN TINSLEY for the creation of the transfer techniques for creating and
applying 2D and 3D makeup known as 'Tinsley Transfers.' These techniques allow quick and
precisely repeatable application of 2D makeup such as tattoos, bruises and birthmarks, as
well as 3D prosthetic appliances ranging in size from small wounds to entire torsos. They
utilize self-adhesive material that features an unprecedented combination of tissue-thin
edges, resilience, flexibility and water resistance, while requiring no dangerous
solvents. [Systems]
* To JÖRG PÖHLER and RÜDIGER KLEINKE of OTTEC Technology GmbH for the design and
development of the battery-operated series of fog machines known as 'Tiny Foggers.' The
operating characteristics of this compact, well-engineered and remote-controllable package
make possible a range of safe special effects that would be totally impractical with
larger, more conventional fog units. [Stage Operations]
* To SEBASTIAN CRAMER for the invention and general design, and ANDREAS DASSER, head of
development at P&S Technik GmbH, for the mechanical design, of the Skater Dolly and
its family of products. This small, portable, camera-only dolly allows low lens positions,
movement in restricted places and tight offset circular maneuvers with rapid set-up.
[Camera Cranes]
* To VICTOR GONZALEZ, IGNACIO VARGAS and ANGEL TENA for the creation of the RealFlow
software application. RealFlow was the first widely adopted, commercially available,
easy-to-use system for the simulation of realistic liquids in motion picture visual
effects. [Digital Imaging Technology]
* To JONATHAN M. COHEN, DR. JERRY TESSENDORF, DR. JEROEN MOLEMAKER and MICHAEL KOWALSKI
for the development of the system of fluid dynamics tools at Rhythm & Hues. This
system allows artists to create realistic animation of liquids and gases using novel
simulation techniques for accuracy and speed, as well as a unique scripting language for
working with volumetric data. [Digital Imaging Technology]
* To DUNCAN BRINSMEAD, JOS STAM, JULIA PAKALNS and MARTIN WERNER for the design and
implementation of the Maya Fluid Effects system. This system is used to create simulations
of gaseous phenomena integrated into the widely available Maya tool suite, using an
unconditionally stable semi-Lagrangian solver. [Digital Imaging Technology]
* To STEPHAN TROJANSKY, THOMAS GANSHORN and OLIVER PILARSKI for the development of the
Flowline fluid effects system. Flowline is a flexible system that incorporates highly
parallel computation, allowing rapid iteration and resulting in detailed, realistic fluid
effects. [Digital Imaging Technology]
AWARD OF COMMENDATION
* To Jonathan Erland in recognition of his leadership and efforts toward identifying and
solving the problem of High-Speed Emulsion Stress Syndrome in motion picture film stock.
By coordinating and conducting tests for and with the industry, and by sharing results
openly, Mr. Erland clearly demonstrated the value and effectiveness of independent
research and industry-wide cooperation.
JOHN A. BONNER MEDAL OF COMMENDATION
* To David Inglish for his outstanding service and dedication in upholding the high
standards of the Academy of Motion Picture Arts and Sciences.
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