Tom Cruise
Whoopi Goldberg's Moulin
Rouge-like entrance
Conductor of the Academy Awards
Orchestra: John Williams
Best Actress in a Supporting Role: Jennifer
Connelly
Ben Stiller and
Owen Wilson
Woody Allen: A
tribute to New York after 9/11
Jodie Foster
Best Animated Feature: Shrek
Halle Berry
Best Actor in a Supporting Role: Jim
Broadbent
Ian McKellen and
Maggie Smith
Ryan O'Neal and
Ali McGraw introduce Arthur Hiller.
Jean Hersholt
Humanitarian Award: Arthur Hiller
Ben Kingsley announces
A Tribute to Film Composers...
...arranged and conducted by John
Williams.
Hugh Grant and Sandra
Bullock present the award for Best Original Score...
...to Howard Shore.
Honorary Award: Sidney
Poitier
Nominated for Best Song:
Sting and "Until"
Nominated for Best Song:
Enya and "May it Be"
Nominated for Best Song:
Randy Newman and "If I
Didn't Have You"
Nominated for Best Song:
Paul McCartney and "Vanilla Sky"
Barbra Streisand
presents Robert Redford with an Honorary Award
Julia Roberts
BEST PICTURE
* A Beautiful Mind -- Brian Grazer and Ron Howard, Producers
Gosford Park -- Robert Altman, Bob Balaban and David Levy, Producers
In the Bedroom -- Graham Leader, Ross Katz and Todd Field, Producers
The Lord of the Rings: The Fellowship of the Ring -- Peter Jackson, Fran Walsh and Barrie
M. Osborne, Producers
Moulin Rouge -- Martin Brown, Baz Luhrmann and Fred Baron, Producers
DIRECTING
* A Beautiful Mind -- Ron Howard
Black Hawk Down -- Ridley Scott
Gosford Park -- Robert Altman
The Lord of the Rings: The Fellowship of the Ring -- Peter Jackson
Mulholland Drive -- David Lynch
ACTRESS IN A LEADING
ROLE
* Halle Berry -- Monster's Ball {"Leticia Musgrove"}
Judi Dench -- Iris {"Iris Murdoch"}
Nicole Kidman -- Moulin Rouge {"Satine"}
Sissy Spacek -- In the Bedroom {"Ruth Fowler"}
Renée Zellweger -- Bridget Jones's Diary {"Bridget Jones"}
ACTRESS IN A SUPPORTING ROLE
* Jennifer Connelly -- A Beautiful Mind {"Alicia Nash"}
Helen Mirren -- Gosford Park {"Mrs. Wilson"}
Maggie Smith -- Gosford Park {"Constance, Countess of Trentham"}
Marisa Tomei -- In the Bedroom {"Natalie Strout"}
Kate Winslet -- Iris {"Young Iris Murdoch"}
ACTOR IN A LEADING
ROLE
Russell Crowe -- A Beautiful Mind {"John Nash"}
Sean Penn -- I Am Sam {"Sam Dawson"}
Will Smith -- Ali {"Muhammad Ali"}
* Denzel Washington -- Training Day {"Alonzo"}
Tom Wilkinson -- In the Bedroom {"Matt Fowler"}
ACTOR IN A SUPPORTING ROLE
* Jim Broadbent -- Iris {"John Bayley"}
Ethan Hawke -- Training Day {"Jake"}
Ben Kingsley -- Sexy Beast {"Don Logan"}
Ian McKellen -- The Lord of the Rings: The Fellowship of the Ring {"Gandalf"}
Jon Voight -- Ali {"Howard Cosell"}
ANIMATED FEATURE FILM
Jimmy Neutron: Boy Genius -- Steve Oedekerk, John A. Davis
Monsters, Inc. -- Pete Docter, John Lasseter
* Shrek -- Aron Warner
ART DIRECTION
Amélie -- Art Direction: Aline Bonetto; Set Decoration: Marie-Laure Valla
Gosford Park -- Art Direction: Stephen Altman; Set Decoration: Anna Pinnock
Harry Potter and the Sorcerer's Stone -- Art Direction: Stuart Craig; Set Decoration:
Stephenie McMillan
The Lord of the Rings: The Fellowship of the Ring -- Art Direction: Grant Major; Set
Decoration: Dan Hennah
* Moulin Rouge -- Art Direction: Catherine Martin; Set Decoration: Brigitte Broch
CINEMATOGRAPHY
Amélie -- Bruno Delbonnel
Black Hawk Down -- Slawomir Idziak
* The Lord of the Rings: The Fellowship of the Ring -- Andrew Lesnie
The Man Who Wasn't There -- Roger Deakins
Moulin Rouge -- Donald M. McAlpine
COSTUME DESIGN
The Affair of the Necklace -- Milena Canonero
Gosford Park -- Jenny Beavan
Harry Potter and the Sorcerer's Stone -- Judianna Makovsky
The Lord of the Rings: The Fellowship of the Ring -- Ngila Dickson, Richard Taylor
* Moulin Rouge -- Catherine Martin, Angus Strathie
DOCUMENTARY (Feature)
Children Underground -- Edet Belzberg
LaLee's Kin: The Legacy of Cotton -- Susan Froemke, Deborah Dickson
* Murder on a Sunday Morning -- Jean-Xavier de Lestrade, Denis Poncet
Promises -- Justine Shapiro, B.Z. Goldberg
War Photographer -- Christian Frei
DOCUMENTARY (Short Subject)
Artists and Orphans: A True Drama -- Lianne Klapper McNally
Sing! -- Freida Lee Mock, Jessica Sanders
* Thoth -- Sarah Kernochan, Lynn Appelle
FILM EDITING
A Beautiful Mind -- Mike Hill, Dan Hanley
* Black Hawk Down -- Pietro Scalia
The Lord of the Rings: The Fellowship of the Ring -- John Gilbert
Memento -- Dody Dorn
Moulin Rouge -- Jill Bilcock
FOREIGN LANGUAGE FILM
Amélie -- France
Elling -- Norway
Lagaan -- India
* No Man's Land -- Bosnia & Herzegovina
Son of the Bride -- Argentina
MAKEUP
A Beautiful Mind -- Greg Cannom, Colleen Callaghan
* The Lord of the Rings: The Fellowship of the Ring -- Peter Owen, Richard Taylor
Moulin Rouge -- Maurizio Silvi, Aldo Signoretti
MUSIC (Original Score)
A.I. Artificial Intelligence -- John Williams
A Beautiful Mind -- James Horner
Harry Potter and the Sorcerer's Stone -- John Williams
* The Lord of the Rings: The Fellowship of the Ring -- Howard Shore
Monsters, Inc. -- Randy Newman
MUSIC (Original Song)
* "If I Didn't Have You" from Monsters, Inc. -- Music and Lyric by Randy Newman
"May It Be" from The Lord of the Rings: The Fellowship of the Ring -- Music and
Lyric by Enya, Nicky Ryan and Roma Ryan
"There You'll Be" from Pearl Harbor -- Music and Lyric by Diane Warren
"Until" from Kate & Leopold -- Music and Lyric by Sting
"Vanilla Sky" from Vanilla Sky -- Music and Lyric by Paul McCartney
SHORT FILM (Animated)
Fifty Percent Grey -- Ruairi Robinson, Seamus Byrne
* For the Birds -- Ralph Eggleston
Give Up Yer Aul Sins -- Cathal Gaffney, Darragh O'Connell
Strange Invaders -- Cordell Barker
Stubble Trouble -- Joseph E. Merideth
SHORT FILM (Live Action)
* the accountant -- Ray McKinnon, Lisa Blount
Copy Shop -- Virgil Widrich
Gregor's Greatest Invention -- Johannes Kiefer
A Man Thing (Meska Sprawa) -- Slawomir Fabicki, Bogumil Godfrejow
Speed for Thespians -- Kalman Apple, Shameela Bakhsh
SOUND
Amélie -- Vincent Arnardi, Guillaume Leriche, Jean Umansky
* Black Hawk Down -- Michael Minkler, Myron Nettinga, Chris Munro
The Lord of the Rings: The Fellowship of the Ring -- Christopher Boyes, Michael Semanick,
Gethin Creagh, Hammond Peek
Moulin Rouge -- Andy Nelson, Anna Behlmer, Roger Savage, Guntis Sics
Pearl Harbor -- Kevin O'Connell, Greg P. Russell, Peter J. Devlin
SOUND EDITING
Monsters, Inc. -- Gary Rydstrom, Michael Silvers
* Pearl Harbor -- George Watters II, Christopher Boyes
VISUAL EFFECTS
A.I. Artificial Intelligence -- Dennis Muren, Scott Farrar, Stan Winston, Michael Lantieri
* The Lord of the Rings: The Fellowship of the Ring -- Jim Rygiel, Randall William Cook,
Richard Taylor, Mark Stetson
Pearl Harbor -- Eric Brevig, John Frazier, Ed Hirsh, Ben Snow
WRITING (Screenplay Based on Material Previously Produced or Published)
* A Beautiful Mind -- Written by Akiva Goldsman
Ghost World -- Written by Daniel Clowes & Terry Zwigoff
In the Bedroom -- Screenplay by Rob Festinger and Todd Field
The Lord of the Rings: The Fellowship of the Ring -- Screenplay by Fran Walsh, Philippa
Boyens, Peter Jackson
Shrek -- Written by Ted Elliott & Terry Rossio and Joe Stillman and Roger S.H.
Schulman
WRITING (Screenplay Written Directly for the Screen)
Amélie -- Screenplay by Guillaume Laurant and Jean-Pierre Jeunet; Dialogue by Guillaume
Laurant
* Gosford Park -- Written by Julian Fellowes
Memento -- Screenplay by Christopher Nolan; Story by Jonathan Nolan
Monster's Ball -- Written by Milo Addica & Will Rokos
The Royal Tenenbaums -- Written by Wes Anderson & Owen Wilson
JEAN HERSHOLT HUMANITARIAN AWARD
* Arthur Hiller
HONORARY AWARD
* To Sidney Poitier in recognition of his remarkable accomplishments as an artist and as a
human being.
* To Robert Redford: Actor, director, producer, creator of Sundance, inspiration to
independent and innovative filmmakers everywhere.
GORDON E. SAWYER AWARD
* Edmund M. Di Giulio
SCIENTIFIC AND TECHNICAL AWARD (Scientific and Engineering Award)
* To JOHN M. EARGLE, D.B. 'DON' KEELE and MARK E. ENGEBRETSON for the concept, design and
engineering of the modern constant-directivity, direct radiator style motion picture
loudspeaker systems. The work of John M. Eargle, D.B. 'Don' Keele and Mark E. Engebretson
has resulted in the over 20-year dominance of constant-directivity, direct radiator bass
style cinema loudspeaker systems. [Sound]
* To IAIN NEIL for the concept and optical design and AL SAIKI for the mechanical design
of the Panavision Primo Macro Zoom Lens (PMZ). This compact, wide-angle, macro focus lens
enhances and expands the picture-capturing ability, both technically and artistically, of
the cinematographer. It is the first cine lens that allows macro photography while still
being able to zoom. [Lenses and Filters]
* To FRANZ KRAUS, JOHANNES STEURER and WOLFGANG RIEDEL for the design and development of
the ARRILASER Film Recorder. The ARRILASER film recorder demonstrates a high level of
engineering resulting in a compact, user-friendly, low-maintenance device while at the
same time maintaining outstanding speed, exposure ratings and image quality. [Special
Photographic]
* To PETER KURAN for the invention, and SEAN COUGHLIN, JOSEPH A. OLIVIER and WILLIAM
CONNER for the engineering and development of the RCI-Color Film Restoration Process. This
photo-chemical process restores color to faded color negative using off-the-shelf film
stocks with a unique approach. The resulting film intermediate can be used to create a new
internegative. [Laboratory]
* To MAKOTO TSUKADA, SHOJI KANEKO and the TECHNICAL STAFF OF IMAGICA CORPORATION, and
DAIJIRO FUJIE of Nikon Corporation for the engineering excellence and the impact on the
motion picture industry of the Imagica 65/35 Multi-Format Optical Printer. This
liquid-gate optical printer offers ease of set-up and change-over to various formats from
35mm to 65mm 15-perf with both additive and subtractive lamp houses. [Special
Photographic]
* To STEVEN GERLACH, GREGORY FARRELL and CHRISTIAN LURIN for the design, engineering and
implementation of the Kodak Panchromatic Sound Recording Film. Allowing all four
soundtrack systems to be exposed on a single negative with relative ease, this stock has
allowed single inventory prints, facilitating the more economic distribution of motion
pictures. [Sound]
* To PAUL J. CONSTANTINE and PETER M. CONSTANTINE for the design and development of the
CELCO Digital Film Recorder products. CELCO recorder products have had a significant
impact on the industry through continual improvements in their technology. [Special
Photographic]
SCIENTIFIC AND TECHNICAL AWARD (Technical Achievement Award)
* To PETE ROMANO for the design and development of the Remote AquaCam, an underwater
camera housing system for use in motion pictures. The Remote AquaCam brings to the
industry an underwater camera housing specifically designed for remote and high-speed
operation. Its hydro-dynamic shape facilitates ease of operation for surface hand-held
filming, and its remote capabilities allow it to film in confined areas or in situations
where an operator cannot be near the camera. [Photography]
* To JORDAN KLEIN for his pioneering efforts in the development and application of
underwater camera housings for motion pictures. With over 50 years of involvement in the
design and development of underwater camera housings, Jordan Klein's work has had
significant influence in the field of underwater photography. [Photography]
* To BERNARD M. WERNER and WILLIAM GELOW for the engineering and design of filtered line
arrays and screen speading compensation as applied to motion picture loudspeaker systems.
Employing both tapered line array and filtered line array technologies and unique passive
and active filter networks, their work with cinema loudspeakers was both innovative and
dedicated specifically to cinema applications. [Sound]
* To TOMLINSON HOLMAN for the research and systems integration resulting in the
improvement of motion picture loudspeaker systems. For over 20 years Tomlinson Holman has
been involved in the research and integration of the constant-directivity, direct radiator
bass type of cinema loudspeaker systems. [Sound]
* To GEOFF JACKSON and ROGER WOODBURN for their DMS 120S Camera Motor. This
well-engineered camera motor features built-in time-lapse programmability and is useful in
an unusually wide range of applications, including MOS production filming, high-speed
photography, animation and motion control. [Camera]
* To THOMAS MAJOR BARRON for the overall concept and design; CHAS SMITH for the structural
engineering; and GORDON SEITZ for the mechanical engineering of the Bulldog Motion Control
Camera Crane. This motion control camera crane represents an unprecedented combination of
long reach, high speed, and a novel approach to its transport, which allows a very rapid
setup on location. [Camera Cranes]
* To JOHN R. ANDERSON, JIM HOURIHAN, CARY PHILLIPS and SEBASTIAN MARINO for the
development of the ILM Creature Dynamics System. This system makes hair, clothing, skin,
flesh and muscle simulation both directable and integrated within a character animation
and rigging environment. [Digital Imaging Technology]
* To STEVE SULLIVAN and ERIC R.L. SCHAFER for the development of the ILM Motion and
Structure Recovery System (MARS). The MARS system provides analysis of camera motion and
object motion, and their dimensions. It employs a rich set of user-interface tools and
sophisticated algorithms. [Digital Imaging Technology]
* To CARL LUDWIG and JOHN M. CONSTANTINE, JR. for their contributions to CELCO Digital
Film Recorder products. CELCO recorder products have had a significant impact on the
industry through continual improvements in their technology. [Special Photographic]
* To BILL SPITZAK, PAUL VAN CAMP, JONATHAN EGSTAD and PRICE PETHEL for their pioneering
effort on the NUKE-2D Compositing Software. The Nuke-2D compositing software allows for
the creation of complex interactive digital composites using relatively modest computing
hardware. [Digital Imaging Technology]
* To DR. LANCE J. WILLIAMS for his pioneering influence in the field of computer-generated
animation and effects for motion pictures. The ongoing influence of Lance Williams is
exemplified in his three seminal papers 'Casting Shadows on Curved Surfaces,' 'Pyramidal
Parametrics' and 'View Interpolation for Image Synthesis.' [Digital Imaging Technology]
* To DR. UWE SASSENBERG and ROLF SCHNEIDER for the development of '3D Equalizer,' an
advanced and robust camera and object match-moving system. This dominant commercial
tracking system provides 'survey-free' tracking, which significantly reduces the need for
painstaking, error-prone measurements on sets. [Digital Imaging Technology]
* To DR. GARLAND STERN for the concept and implementation of the Cel Paint Software
System. All current cel painting applications in the motion picture industry can be traced
back to the original idea and pioneering implementation of Garland Stern. [Digital Imaging
Technology]
* To MIC RODGERS and MATT SWEENEY for the concept, design and realization of the 'Mic
Rig.' This self-contained, low bed picture car carrier and camera platform enables the
safe, economic and realistic filming of action sequences that may involve principal actors
and dialogue. [Stage Operations]
AWARD OF COMMENDATION
* To Rune Ericson for his pioneering development and 30 years of dedication to the Super
16mm format for motion pictures. The Super 16mm film format has achieved a significant
impact on the worldwide film industry by playing a major role in empowering low budget
films to be produced for theatrical release.
* To the American Society of Cinematographers (ASC) for the continued publication of the
'American Cinematographer Manual.' Born from 'The Cinematographic Annual,' first published
by the ASC in 1930, the 'American Cinematographer Manual' has become an essential bible
for cinematographers. Currently in its eighth edition, this premier reference manual has
had a significant impact on decades of motion picture photography around the world.
JOHN A. BONNER MEDAL OF COMMENDATION
* To Ray Feeney in appreciation for outstanding service and dedication in upholding the
high standards of the Academy of Motion Picture Arts and Sciences.
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