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James Ehnes - Stéphane Denève
V
IOLIN CONCERTO NO. 1

(1976 - 2024)


Pentatone PTC 5187 148 Composed by John Williams
Format: CD Conducted by Stéphane Denève
Total Playing Time: 61:28 (JW 30:30) St. Louis Symphony Orchestra
Date: April 29, 2024 James Ehnes, violin
Cat. No. CP63-501 Recorded at Power Hall in St. Louis, MO

Bernstein Serenade: Jan 2023/Violin Concerto: Nov 2019


Track Listing

Leonard Bernstein (1918 - 1990): Serenade
01. I. Phaedrus. Pausanias. Lento and Allegro (06:27)
02. II. Aristophanes. Allegretto (04:23)
03. III. Eryximachus. Presto (01:31)
04. IV. Agathon. Adagio (07:36)
05. V. Socrates. Alcibiades. Molto tenuto - Allegro molto vivace (11:00)

John Williams (b. 1932): Violin Concerto No. 1
06. I. Moderato (10:58)
07. II. Slowly. In peaceful contemplation (09:34)
08. III. Broadly. Maestoso - Quickly (09:56)

The concerto's first performance was on January 29, 1981 with Leonard Slatkin conducting the St. Louis Symphony Orchestra with the violin soloist Mark Peskanov.


CROSSING THE BOUNDARIES OF FILM AND CONCERT MUSIC

The St. Louis Symphony and their music director Stéphane Denève present a wonderful program featuring two of the most accomplished American composers in history: Leonard Bernstein with his Serenade and John Williams with his Concerto for violin and orchestra, both performed by star James Ehnes, one of the most exceptional North American violinists. John Williams himself was present at the recording of his violin concerto, working together with the St. Louis Symphony, Denève, and Ehnes. Both works evolve around love: Bernstein’s Serenade was inspired by musings on love from Plato’s Symposium while Williams’s work was arguably inspired and eventually dedicated to his suddenly deceased wife. By combining these two concert pieces, this album puts the symphonic work of Bernstein and Williams at the center, two composers who weren’t afraid of crossing the boundaries between film music and “serious” classical genres at a time when these worlds were generally kept far apart. Especially in Williams’ concerto, there are still hints of his work as a film composer; the slow movement brings to mind a scene of emotional gravity.

Widely considered one of the world’s finest orchestras, the SLSO maintains its commitment to artistic excellence, educational impact, and community connections. The St. Louis Symphony, Stéphane Denève, and James Ehnes all make their Pentatone debut.























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